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Printed Matters

Natsuyuki Nakanishi

Perido | 2026.4.20 – 5.1

Venue | YOKOTA TOKYO

Kiyoji Otsuji In the Studio

Kiyoji Otsuji

YOKOTA TOKYO has published a portfolio Kiyoji Otsuji In the Studio. The book focuses on the experimental collaboration between Kiyoji Otsuji and Nobuya Abe, includes previously unpublished photographs in different compositions.

Nathan Lerner 1913－1997

Author | Toshino Iguchi

Production & Publishing | YOKOTA TOKYO

Price | ¥2,500

YOKOTA TOKYO has published an exhibition catalogue with a newly written text by Toshino Iguchi. This is the first book published in Japan to introduce Nathan Lerner's work in detail. This bilingual catalogue also contains numerous illustrations. Please contact us for further information.

Document 1976 – 2021

On the occasion of the 45th anniversary of Shigeru Yokota Gallery, we published the documents that come in four installments, summarizing our activities in May 2022.

・Document 1976—2021
・Tokyo Publishing House Document 1976—2021
・Photobook 1976 — 2021
・Library + Archive

Naoyo Fukuda

Naoyo Fukuda: At the Threshold's Edge

Period | 2026.2.21 – 5.17

Venue | The Museum of Modern Art, Hayama & Kamakura

Naoyo Fukuda has long explored a unique creative world that moves between art and language. This landmark solo exhibition introduces Fukuda's practice through key works spanning from her early career to the present, while also featuring recent pieces centered on the theme of awai — the liminal space between things — alongside newly written palindromes, together forming an installation that draws the exhibition space itself into the work.

Susan Hefuna

Susan Hefuna

Period | 2026.2.21 – 7.26

Venue | Bündner Kunstmuseum Chur

This is Susan Hefuna's first large-scale solo exhibition in Switzerland, held at the Bündner Kunstmuseum. Spanning a wide range of media — drawing, photography, installation, video, and performance — Hefuna's work offers a poetic portrayal of cities, landscapes, and cultural dialogue.

Natsuyuki Nakanisshii

Nakanishi Natsuyuki: Devices for Gentle Gazing and Endless Lingering

Period | 2026.3.14 – 6.14

Venue | The National Museum of Art, Osaka

This is the first retrospective of Natsuyuki Nakanishi, held ten years after his passing. Tracing the arc of his practice from the late 1950s onward, the exhibition illuminates his singular vision of painting. How does a "picture" emerge on a surface? Where, fundamentally, does painting exist? The exhibition follows Nakanishi's painterly practice — one that continually returns to these foundational questions.