News
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Kazuo Okazaki
Perido | 2026.3.9 – 4.3
Venue | YOKOTA TOKYO
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Natsuyuki Nakanishi
Special Feature NAKANISHI Natsuyuki IKEUCHI Akiko: Arc and Catenary
Period | 2025.12.25 – 2026.4.2
Venue | Museum of Contemporary Art Tokyo
As part of the collection exhibitions commemorating the 30th anniversary of the Museum of Contemporary Art Tokyo's opening, works by Natsuyuki Nakanishi are displayed. In a two-person exhibition with Akiko Ikeuchi, known for her installations using silk thread, a world of works that evoke the expansion of the world with the body as a starting point is presented.
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Tomoharu Murakami
Art and Faith: Modern and Contemporary Japanese Art and Christianity
Perido | 2026.1.9 – 3.1
Venue | Okayama Prefectural Museum of Art
This is an exhibition that explores the influence that Christianity, introduced during the Warring States period, has had on Japanese modern and contemporary art. The exhibition displays works by artists known as Christians, including Tomoharu Murakami, and re-evaluates the cultural significance of Christianity.
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Naoyo Fukuda
Naoyo Fukuda: At the Threshold's Edge
Period | 2026.2.21 – 5.17
Venue | The Museum of Modern Art, Hayama & Kamakura
Naoyo Fukuda has long explored a unique creative world that moves between art and language. This landmark solo exhibition introduces Fukuda's practice through key works spanning from her early career to the present, while also featuring recent pieces centered on the theme of awai — the liminal space between things — alongside newly written palindromes, together forming an installation that draws the exhibition space itself into the work.
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Susan Hefuna
Susan Hefuna
Period | 2026.2.21 – 7.26
Venue | Bündner Kunstmuseum Chur
This is Susan Hefuna's first large-scale solo exhibition in Switzerland, held at the Bündner Kunstmuseum. Spanning a wide range of media — drawing, photography, installation, video, and performance — Hefuna's work offers a poetic portrayal of cities, landscapes, and cultural dialogue.
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Natsuyuki Nakanisshii
Nakanishi Natsuyuki: Devices for Gentle Gazing and Endless Lingering
Period | 2026.3.14 – 6.14
Venue | The National Museum of Art, Osaka
This is the first retrospective of Natsuyuki Nakanishi, held ten years after his passing. Tracing the arc of his practice from the late 1950s onward, the exhibition illuminates his singular vision of painting. How does a "picture" emerge on a surface? Where, fundamentally, does painting exist? The exhibition follows Nakanishi's painterly practice — one that continually returns to these foundational questions.


